Special Report: Live Agents

James Hanley

Booking agencies have been labelled everything from “the new A&R” to “second managers”, but there’s no denying their influence in the modern music industry. As record sales have declined, the live sector has thrived, giving agents a seat at the top table.

“We’re involved in far more parts of the process,” declares Emma Banks, one of the most respected agents in the game and co-head of CAA’s London office. “When I started [in 1990], there wasn’t the internet and there ...

Login to access this article

To access this article you need to be a subscriber. If you are a subscriber login below.

Start your 4 week Free Trial

Register for a Music Week trial to access this article.

Sign up for your free trial to Music Week, the no 1 weekly trade magazine for anyone who needs to understand the business of music. For four whole weeks we will provide you with great, in-depth journalism that gets right inside the business of music in print and 24/7 online. With both the print and digital edition you will be able to enjoy the whole Premium experience of a subscription to Music Week - absolutely free.

Start your free trial

Subscribe

If you have previously taken a trial you will need to subscribe to access this article.

Subscribe Now
subscribe link free-trial link

follow us...