Entries in 'Interviews' (46)

Venue's Fight Back: Inside Music Venue Trust's #SaveLiveMusic campaign

It’s not easy being a UK venue these days. But rising British rock quintet The Carnabys are the lates

The Big Interview: WeGotTickets's Dave Newton

WeGotTickets is an odd name for a paperless pioneer. I guess WeNotGotTickets would have far too negative co

2000 Trees: The Real Disco 2000

Feeling disillusioned with the state of UK rock festivals, a group of six music-loving friends took matters

Polar Music Prize's Marie Ledin: 'Music is Communication'

There is, as managing director Marie Ledin points out, no award quite like the Polar Music Prize. Awarded t

Bear's Den: Teddy, Steady, Go!

The radio royal flush – being playlisted at Radio 1, Radio 2, 6 Music, Absolute and Radio X – i

Rolling Stone: Kilimanjaro Live on its new festival

What does a festival promoter do when a large chunk of its audience has moved on from wanting to wa

The Big Interview: Rebecca Allen, Decca Records

If ever a record label was to earn the By Royal Appointment stamp of regal approval, it would surely be Dec

Going in for the Kill

The Kills are almost something of a rarity in the music industry in 2016: a rock band that’s been aro

Ultra Music's Patrick Moxey: 'It's a great time for dance music'

"If music is in your blood, it pulls you in. It’s almost inexplicable,” says Patrick Moxey, Ult

Xtra Mile: 'We want to be artist friendly'

After launching as ‘a side project’ in 2003 to release music by Frank Turner’s old band M

Cooking Vinyl Australia: 'The Australian industry is in a good place'

"There’s a reason Cooking Vinyl has been around for 27 years,” says Leigh Gruppetta, director o

Drag City Records: 'Our version of music'

For 25 years, Chicago-based indie label Drag City Records has been home to an eclectic array of artists, ha

Catfish And The Bottlemen: 'We wouldn't let anyone tell us that we couldn't do it'

"Somebody told me you couldn’t be a working class band in the music indust

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