interviews

Shout-out to my execs

There might have been no Music Week Women In Music Awards ceremony this year, but there has never been a better time to celebrate the brilliant work of female executives across the industry. As well as presenting the second part ...

Rising Star: Meet Drop The Ego artist manager Sof Petrides

This week, Sof Petrides tells Music Week about her Drop The Ego management company and reveals how to maximise artist relationships... How did you get into music? “A lot of hustling, networking and just showing face! I started getting into music at 16 while at East London Arts and Music college. I realised I wanted to be a manager and find new music, so I started hitting up A&Rs with new artists and music, just to get on their radar. After lots of networking, I started growing my connections and asking to work for them for free. Whenever there was an opportunity to be at a show, afterparty or event, I made sure I was there with one of my friends to graft and grow my connections, whilst obviously having fun. There were a few people who gave me a lot of their time – love to Lay Lewis [Various Artists Management] and Sean Holbrook [Toolroom] for helping me.” What defines your strategy? “Perseverance, structure and letting the music speak for itself. If the music is good enough, it’ll move and open doors, which is beneficial for all. Also, people is a big one for me. You can’t get anywhere in music alone, so I make sure to have good people around me that I know will give me their honest opinion or some love and direction when needed. Shout-out to John Woolf.”   You can’t get anywhere in music alone Sof Petrides       How do you get the best out of your relationships with artists? “Mutual love and respect and always being on a level with them, so they know you’re in their corner. Managing artists is hard work, especially when you wake up on a day you’re not 100%, but it’s about having people on your roster who care for you as much as you care for them. On my roster I’ve got Leyma, Jimothy Lacoste and Just Banco. I manage all three of them very differently because I’ve got to know them and what vibe they’re on musically. I can adapt to suit them. I have a lot of time for them and I know it’s the same the other way round.” What’s been the biggest surprise about the industry so far? “Not everyone is as bad as you may think. I got warned a lot early on to watch out for people because they would be difficult to work with. Don’t get me wrong, I’ve had my fair share of tricky people, but the love and consideration people show to one another is so encouraging and nice to work with. On difficult days it’s what keeps me going. I have a lot of love for those people.” And your pet peeve? “When artists copy each other’s creative. Stay true to your own artistic direction, it’ll benefit you in the long run and make you stand out. And in general, odd socks! It just throws me off. No shade to anyone who wears them, I just can’t hack it!” SOF'S RECOMMENDED TRACK:

Women In Music Roll Of Honour 2020: Vanessa Bakewell

In the latest edition of Music Week we proudly present this year’s expanded Music Week Women In Music Awards Roll Of Honour. Here we speak to Vanessa Bakewell, global client partner at Facebook... How do you feel about joining the Music Week Women In Music Roll Of Honour? “I am truly delighted. I have read Music Week since I was 17 growing up in Liverpool, picking up my copy each week in WHSmith on Church Street. What would my teenage self think? I feel very honoured to be alongside so many brilliant and talented women and really grateful to be part of a group of amazing female leaders driving positive change.”  How do you look back on your early years getting into the industry? “I am hugely fortunate that my early years growing up in Liverpool were in such a thriving music scene. So many talented musicians and music industry execs who were based there then and still are today. I also got to go to Liverpool Institute for Performing Arts (LIPA) and do a degree in the management of music, entertainment, theatre and events. What I learned in those years and on the degree gave me valuable experience and many amazing friends and a strong network – many I still know and work with today. My education was self-funded, so I found it challenging financially at times. I had to take on a lot of part-time jobs.” Did you have a mentor at at that stage?  “I got to work with Jayne Casey who I worked with at Cream nightclub in Liverpool – one of my part-time jobs. Jayne was an important role model to me. She is a powerhouse and has done so much for the city. She gave me confidence and inspiration at a young age when I really needed it and lots of inspiration to keep striving and keep on keeping on. My lecturers at LIPA were so well tenured within their industries and were a big influence. Dave Pichilingi of Modern Sky was one of those lecturers. I still speak to Dave 20 years on, and he has always been accessible and on hand to chat to throughout my education and career with any challenges or opportunities I have had.”   I realised that, if you can’t join the conversation, you create it Vanessa Bakewell   What’s your biggest achievement so far?  “I founded the Women In Entertainment And Digital (WED) network around five years ago. I felt compelled to start this as a response to feeling excluded from conversations in my early career in London. I realised that if you can’t join the conversation, you create it. Your networks are everything, nurturing them is key. I set up a Facebook Group to create an empowered, connected, and informed female network for my industry, which is positive, authentic, and engaged. I love it when people tell me to join it and they do not realise I founded it. Its makes me super-proud as it’s not about me, it’s about the community. The WED network has grown organically over the last five years to see a 1,500-strong network of incredible women at all levels in the industry. Alongside incredible organisations like She Said So and Women In Ctrl, I am proud that the WED network brings people together. With social distancing, the group and this way of communicating have become even more important. It’s never been more needed as women navigate their way through different challenges in the industry. My biggest achievements have come via the networks of the group I created on Facebook. Supporting the women around me. Celebrating their successes, lifting them up. Being there when it’s fun. Being there when it’s tough. Being accessible.” What advice would you offer young women about enjoying a successful career in music? “Be your own best friend. Look after and prioritise yourself. Self-care is key. You can’t be tenacious when you are running on empty.”  What’s the best advice you’ve ever had? “‘You can’t be interesting unless you are interested’. Listening and staying curious are important. There is so much knowledge, experience, talent, opinion, innovation, and genius out there. Listening and having a curious mindset is a must. A good example of this is the brilliant journey I went on with the artist Gracey. I learned so much from her. At 22, Gracey is a huge talent and a leader when it comes to technology. Seeing how she led the production and direction for her music video Empty Love was a real learning curve. She embraced augmented reality and released Instagram Filters to tease her music and bring fans closer.” What’s your biggest lesson from 2020?  “Making time for people counts more than ever. Cassandra Gracey of Sony said at an Instagram Women In Music event earlier this year: ‘You always remember the people that made time for you when you were up and when you were down’. Be there for each other. Checking in on your colleagues and friends is important.”

Women In Music Roll Of Honour 2020: Lauren Brennan

subscribers only

Women In Music Roll Of Honour 2020: Sara Lord

subscribers only

Women In Music Roll Of Honour 2020: Afryea Henry-Fontaine

subscribers only

MORE Music Week Features

Show More
Loading
subscribe link free-trial link

follow us...