Meet Ron Broitman, the king of sync

In the first season of Martin Scorsese’s show Vinyl, about a record company in the 1970s, Warner Music Group scored what it says was a record number of music placements for a TV series. At the last Super Bowl, Warner had its most successful year ever in terms of the number of music placements in commercials.

The reason for this high batting rate? Well, clearly, the depth of Warner’s catalogue of landmark recordings from iconic labels such as Atlantic, Elektra, ...

Login to access this article

To access this article you need to be a subscriber. If you are a subscriber login below.

Start your 4 week Free Trial

Register for a Music Week trial to access this article.

Sign up for your digital free trial to Music Week, the no 1 weekly trade magazine for anyone who needs to understand the business of music. For four whole weeks we will provide you with great, in-depth journalism that gets right inside the business of music.

Start your free trial


If you have previously taken a trial you will need to subscribe to access this article.

Subscribe Now
subscribe link free-trial link

follow us...