In the current issue of Music Week we take a very special look at how the music business is operating during the current coronavirus lockdown.
As part of our coverage, ...
PPL has announced two new technology appointments, with Mark Douglas upped to chief information officer and Matt Phipps-Taylor becoming chief data officer.
Douglas (pictured) joined PPL as chief ...
PPL has promoted Sarah Mitchell to the role of director of membership and communications.
Continuing to report into PPL’s CEO, Peter Leathem, Mitchell adds communications to her current remit of ...
PPL has announced today that it has hit a record high in its international collections.
PPL collected £86.7 million in 2019, an increase of 22% on its 2018 total of ...
PRS Foundation’s funding scheme, the Momentum Music Fund, has today (February 5) been renamed the PPL Momentum Music Fund.
Since launching in 2013, the fund has supported 375 artists ...
As the music industry returns to work, it’s time for our traditional survey of the sector to kick off the year.
The start of a new decade is set to ...
UK Music chairman Andy Heath is to step down in 2020 after 11 years at the helm of the trade body.
Heath founded UK Music in 2008, uniting the commercial ...
PPL has partnered with music industry technology specialist Sound Credit to improve the quality of performer line-up data on recordings.
Sound Credit provides an app that makes it easier for ...
PPL and PRS For Music are among the latest big industry names to join the likes of UK Music, the English National Opera, Sennheiser and Gibson Guitars in throwing ...
In the latest edition of Music Week, we deliver a special report looking at the royalty collections business. And, thanks to the explosion in streaming consumption, business is very ...
