Ten years ago, under the stewardship of EMI CEO Eric Nicoli, myself and 11 fellow music execs formed a council to identify skills needed for the music industry. We canvassed ...
In the cover story of the new issue of Music Week, Robert Ashcroft, Peter Leathem, and Suzanne Smith take us inside the new joint venture between the ...
The new joint venture between PPL and PRS instantly becomes one of the UK biz’s biggest companies, with revenues likely to approach £300 million. But can it make public performance ...
The new edition of Music Week brings with it one of the biggest music business stories of recent times: the coming together of PPL and PRS.
Photographed on location ...
Execs hailed PPL and PRS For Music’s new joint venture as “a really big development for the music industry” as PPL-PRS was officially launched in Leicester.
The new PPL-PRS HQ ...
UK collection societies PPL and PRS For Music have revealed their gender pay gap figures.
The announcement is a legal requirement and has seen several big music companies – including ...
PPL has announced a record international collection of £49.6million for 2017.
As revealed in the latest issue of Music Week, the collection society reported its largest ever international royalties ...
PPL chief executive Peter Leathem has hailed the “tremendous success” of the organisation’s largest ever international collection and outlined plans to encourage “global growth” in neighbouring rights revenues.
The collection ...
PPL and PRS For Music have formally launched their public performance licensing joint venture, PPL PRS Ltd.
It has been a major focus of activity for both PPL and PRS ...
PPL has made four changes to its executive management team (EMT), which is responsible for the direction and running of the £200 million company.
As exclusively revealed in the latest ...
