'Digital tickets are a game-changer' : A special report on the ticketing sector

James Hanley

The last 12 months in ticketing are best summed up by an Elvis Presley lyric: “A little less conversation, a little more action.”

With genuine progress made behind the scenes, for the first time in years the contentious secondary market hasn’t been the sector’s dominant talking point.

The seeds were sown in late 2018 when market leader Ticketmaster ditched its Seatwave and Get Me In! resale sites in favour of a new fan-to-fan ticket exchange, enabling fans to buy and ...

Login to access this article

To access this article you need to be a subscriber. If you are a subscriber login below.

Start your 4 week Free Trial

Register for a Music Week trial to access this article.

Sign up for your digital free trial to Music Week, the no 1 weekly trade magazine for anyone who needs to understand the business of music. For four whole weeks we will provide you with great, in-depth journalism that gets right inside the business of music.

Start your free trial


If you have previously taken a trial you will need to subscribe to access this article.

Subscribe Now
subscribe link free-trial link

follow us...