The industry’s new streaming code is aimed at improving trust and transparency between artists and rights-holders.
Here, Tom Allen, president, Downtown Royalties & Financial Services Division (DR&FS), looks at ...
The latest edition of Music Week takes a deep dive into the fast-paced royalties sector.
In a special report, a number of the market's leading players delve into the biggest ...
For anyone seeking to take the pulse of the music business in 2024, there are few better places to begin than the royalties sector. Here, Music Week meets some of ...
IDOL has integrated with Downtown-owned Curve, as well as Details and eddy to enhance its royalty processing offering.
Distributed labels and artists using the newly integrated royalty companies can ...
SACEM has extended Cécile Rap-Veber's term as CEO following record collections for the collective management society.
In 2023, SACEM (France’s Society of Authors, Composers and Publishers of Music) collected €1.487 ...
Warner Music Group has released it fiscal Q2 (calendar Q1) financial results for the period ended March 31, 2024.
The major posted solid results driven by growth across recorded music ...
The Culture, Media and Sport Committee of MPs has helped to set the agenda on the debate around streaming remuneration in recent years.
The Committee called for a “complete reset” ...
Soundmouse by Orfium has been selected by the South Korean Broadcast Music Identifying System (BROMIS) as the official music reporting partner for broadcasters in the world’s seventh largest music market. ...
UK music rights fintech company Salt has closed a funding round with backers including songwriters and producers, as well as a European investment company.
Salt’s platform streamlines music rights & ...
