The Culture, Media and Sport Committee of MPs has helped to set the agenda on the debate around streaming remuneration in recent years.
The Committee called for a “complete reset” ...
Soundmouse by Orfium has been selected by the South Korean Broadcast Music Identifying System (BROMIS) as the official music reporting partner for broadcasters in the world’s seventh largest music market. ...
UK music rights fintech company Salt has closed a funding round with backers including songwriters and producers, as well as a European investment company.
Salt’s platform streamlines music rights & ...
In 2023, there are more questions surrounding royalties than ever before. With efficiency and transparency at the very top of every artist, label, publisher and manager’s agenda right now, competition ...
Global royalty collections for songwriters and composers reached a historical high point of €10.8 billion in 2022, according to CISAC’s annual report.
The increase of 28% year-on-year during 2022 ...
During the summer, Hipgnosis CEO and founder Merck Mercuriadis voiced his frustration about the company’s share price not reflecting the “fundamental value of the company”.
Hipgnosis has now unveiled ...
PRS For Music has extended its Nexus programme, with a new initiative to ensure songwriter and composer information is linked to recordings prior to release.
With tens of thousands ...
Stem has launched Tone, a new brand and business devoted to creating modern financial tools for the music industry.
In a statement, the company said that Tone was created to ...
The Goldman Sachs Music In The Air report is always a major talking point for the industry.
The 2023 edition has just landed, authored once again by analyst Lisa Yang ...
Independent publishing is a creative and commercially dynamic sector built on long-term relationships with talent. Here, in a special report, we bring together some of the key players to debate ...
