More than seven months after the first evidence session of the DCMS Committee’s inquiry into the economics of streaming, the verdict is in. And perhaps it’s no surprise - ...
Sony Music Group chairman Rob Stringer has underlined his artist-friendly credentials once again.
Amid the ongoing debate about how artists are benefiting in the streaming economy, Sony Music Entertainment ...
THIS MONTH: Is it fair when artists are credited for songs they didn’t write?
Janee ‘Jin Jin’ Bennett, songwriter/founder, Jinsing: “As a songwriter, earlier on in my career I frequently ...
Apple Music has told artists and labels that it pays double Spotify’s average streaming royalties.
Last month, Spotify launched a website as part of its pledge on greater transparency on ...
Spotify has launched a new website, Loud & Clear, with the aim of introducing new transparency and data about the music streaming economy.
The site includes a number of resources ...
Songtrust and Secretly Publishing have announced a new administrative partnership.
Songtrust will be administering the full music catalogue of Secretly Publishing, including the catalogues of affiliates Ghostly Songs and The ...
Australasian music royalties have been hit by the Covid-19 pandemic and bushfires which swept the country this year.
Projected revenue is now set at A$474.5 million (£259.6m), a downgrade from ...
Top executives have spoken to Music Week about the impact of the Covid-19 pandemic on the royalties business.
In a special report in this week's issue, we investigate the ...
In a music world dominated by streaming, tracking royalties has moved centre stage. At any level of the ecosystem – from songwriters and independent artists, to top stars, major companies, ...
The new issue of Music Week is out now and we take a deep dive into the world of global entertainment power player eOne in this week's Cover Story.
We ...
