Australasian music royalties have been hit by the Covid-19 pandemic and bushfires which swept the country this year.
Projected revenue is now set at A$474.5 million (£259.6m), a downgrade from ...
Top executives have spoken to Music Week about the impact of the Covid-19 pandemic on the royalties business.
In a special report in this week's issue, we investigate the ...
In a music world dominated by streaming, tracking royalties has moved centre stage. At any level of the ecosystem – from songwriters and independent artists, to top stars, major companies, ...
The new issue of Music Week is out now and we take a deep dive into the world of global entertainment power player eOne in this week's Cover Story.
We ...
US performance rights organisation SoundExchange has appointed Esther-Mireya Tejeda as its new chief marketing and communications officer.
Tejeda will oversee the company’s brand strategy and marketing, global communications and public ...
For nine months, Andrea C Martin has kept her head down. The new CEO of performance rights organisation PRS For Music is something of an unknown quantity to the music ...
The Irish Music Rights Organisation (IMRO) has adopted technology platform Concertify to help speed up payments made to music creators.
IMRO said songwriters, composers and music publishers will ...
Deezer has outlined plans for its new User Centric Payment System (UCPS), which is set to launch in France in early 2020.
The model, which bases royalty payments on music ...
There are some huge music business anniversaries this year, but few more significant than PPL’s 85th birthday.
The collection society, which licenses sound recordings for broadcast and public performance ...
